4101

Jimi Hendrix Experience Original 'Electric Ladyland' Cover Artwork

Currency:USD Category:Collectibles / Autographs Start Price:NA Estimated At:6,000.00 - 8,000.00 USD
Jimi Hendrix Experience Original 'Electric Ladyland' Cover Artwork

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Auction Date:2017 Aug 17 @ 18:00 (UTC-05:00 : EST/CDT)
Location:236 Commercial St., Suite 100, Boston, Massachusetts, 02109, United States
ALS - Autograph Letter Signed
ANS - Autograph Note Signed
AQS - Autograph Quotation Signed
AMQS - Autograph Musical Quotation Signed
DS - Document Signed
FDC - First Day Cover
Inscribed - “Personalized”
ISP - Inscribed Signed Photograph
LS - Letter Signed
SP - Signed Photograph
TLS - Typed Letter Signed
Original album artwork design for the US release of Electric Ladyland, the third and final studio record from The Jimi Hendrix Experience, as commissioned by the Warner Bros. Records art department in 1968. The 'mechanical' is affixed to its original 15 x 20 artist board, and depicts a seated image of Hendrix, Mitch Mitchell, and Noel Redding, 12.75 x 14.5, with affixed hand-lettered type labels to upper corners, "Electric Ladyland" and "The Jimi Hendrix Experience," and a "Stereo" label set immediately above Hendrix's head. Center bears a black felt tip notation, "Position Only!!!," and mount and outskirts of image feature ink and graphite notations and measurements. Mount retains its original tracing cover with red felt tip notations. Mounted and framed to an overall size of 19.5 x 25. In fine condition.

Initially proposed as the front cover for Electric Ladyland, the Experience group image was ultimately relegated to back cover status and fitted with entirely different type. Instead, Warner Bros. opted for a close-up of Hendrix’s head from a performance at Saville Theatre, an image originally taken by Karl Ferris. The hand-lettered type for the 'alternative' artwork is believed to have been drawn by Los Angeles designer John Van Hamersveld, and the mechanical laid out by the album's art director, Ed Thrasher; during the design and print process, mechanicals were sent to the label's color separator, which was then used to make film for the album cover printer. Consignor notes that in the mid 1970s, the Warner Bros. art department hired a freelance art director to clean their massive archive, disposing of old files and creating space for newer projects. Of the various discarded pieces he was allowed to keep, many were presented to family and friends as gifts, with this preliminary album design an example of such.